- NumPad 2.0 for iPhone has dedicated Sibelius mode
- Sound on Sound: “Sibelius 6 once again raises the bar”
- Hypermusic Prologue revisited
- Changing music font in an existing score
- Sibelius 6 is a Tech & Learning Awards of Excellence 2009 winner
- Focus Set and Focus Families plug-ins make Focus on Staves more powerful
- Using Logic Pro’s virtual instruments with Sibelius 6
- Designorati: “Sibelius 6 is close to perfect”
- Howard Goodall wins Emmy for soundtrack to Into The Storm
- Love the one you’re with
Keyboard & Fretboard windows
Video narrated by Daniel Spreadbury, Senior Product Manager for Sibelius.
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For anyone who prefers using a keyboard or guitar to notation, these beautiful new windows are ideal. Simply click on the keys or frets to input notes and chords – or ‘play’ your computer’s QWERTY keys just like a piano!
But they’re not just for inputting. Select any note/chord, and the keyboard or fretboard shows how it’s played. And when you play the score back, you can follow the music on the keyboard or fretboard, too – even if it’s written for other instruments.
- Click keys or ‘play’ your computer keyboard to input
- Colors show voices
- Scroll through octaves
- Drag to resize
- Choose which staves’ music to show when playing
- Click frets to input notes & chords
- Acoustic, maple or rosewood neck in 3 sizes
- 6-string guitar or 4/5-string bass
- Choose which staff’s music to show when playing
On the Keyboard &
Fretboard windows...
"Guitarists will love this version of Sibelius with the introduction of the Fretboard window."
Steve Horn, guitarist, composer
"The onscreen Keyboard lets you play music in when you can't get to a MIDI keyboard."
Marc Schonbrun, composer and music educator
What's new
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From the Sibelius Blog
Wed, 18 Nov 2009
NumPad 2.0 for iPhone has dedicated Sibelius mode
I received an email from Luc Vandal of iPhone developer edovia about the release of NumPad 2.0 for iPhone and iPod touch... read more »
Sat, 14 Nov 2009
Sound on Sound: “Sibelius 6 once again raises the bar”
After we release a new version of Sibelius, the review I most look forward to seeing is the one in Sound on Sound magazine... read more »
Mon, 09 Nov 2009
Hypermusic Prologue revisited
A few months ago I posted a snippet of the manuscript for Hector Parra’s opera, Hypermusic Prologue... read more »