- NumPad 2.0 for iPhone has dedicated Sibelius mode
- Sound on Sound: “Sibelius 6 once again raises the bar”
- Hypermusic Prologue revisited
- Changing music font in an existing score
- Sibelius 6 is a Tech & Learning Awards of Excellence 2009 winner
- Focus Set and Focus Families plug-ins make Focus on Staves more powerful
- Using Logic Pro’s virtual instruments with Sibelius 6
- Designorati: “Sibelius 6 is close to perfect”
- Howard Goodall wins Emmy for soundtrack to Into The Storm
- Love the one you’re with
Film & TV
with Sibelius 6
- Write to picture
- Integrated sample playback
- Instant parts
- Fast to learn & use
“Sibelius is fantastic.
I haven’t found anything
I can’t do with it yet.”
“My orchestrator is able to send me proofs of the orchestrated cues at an incredible speed, and I can check and correct them directly on the screen, adding to the orchestration as I go along. Panorama view in version 5 of Sibelius really helps me – because I don’t think in pages, I just think in music. With Panorama, there are no breaks in your thinking.”
Dario Marianelli, Oscar-winning composer on films Atonement and Pride & Prejudice
As used in
Sibelius was used to compose or prepare the music for:
- Atonement
- The Kite Runner
- Wallace & Gromit: The Curse of the Were-Rabbit
- Pride & Prejudice
- Harry Potter and the Goblet of Fire
- The Lion, the Witch and the Wardrobe
- The Incredibles
- Lost
- Shrek 2
- Notting Hill
- The Simpsons
- Bridget Jones
- James Bond films

Harry Potter and the Goblet of Fire recording session
What users say
Alf Clausen, The Simpsons
Michael Kamen, Lethal Weapon and Robin Hood: Prince of Thieves
"Lost, Alias and Commander in Chief are just some of the projects we do completely in Sibelius... it's become such an important tool of film composers, orchestrators and copyists"
Booker White
Walt Disney Pictures
"Every copyist in my crew is completely wowed by Sibelius. We just used it for Denzel Washington's Inside Man and IMAX Deep Sea 3D (composer, Danny Elfman) and were impressed!"
Stuart Balcomb
Universal Studios
"Sibelius rocks! The whole Dynamic Parts function make our lives ridiculously easy and gives us even more flexibility under pressure. It's become feasible in a ten minute break to, say, completely alter a violin part and be able to get 20 parts revised and back on to the stand. It's amazing and a godsend for us."
Harry Gregson-Williams
composer, Chronicles of Narnia, Bridget Jones, Shrek 2
"Sibelius is the best thing to happen to composers since the invention of the propelling pencil"
Howard Goodall
composer, Bean: The Movie and Blackadder


